A bit of fun with the underpainting of the portrait using both hands to cover the area as quickly as possible. Without creating a mess, the real challenge.
French country pate and red wine for lunch, after spending the morning messing about with paint.
Cosmos flowers, one of those subjects not to touch. Partly as there are a gazillion paintings depicting cosmos, and partly as they are an autumn flower that don’t occur on the Garden Route. However, stopping at Delish in Heidelberg, there was a bank of pink cosmos flowers, full of happiness that screamed to be put onto canvas.
An abstract approach with an underpainting based on Monet’s ‘The path through the Irises’ (My canvas of 50cmx60cm nothing like Monet’s monumental 1,8mx2m work) of different layers of Naples yellow, raw Sienna, gold oxide, and hints of crimson and cadmium yellow. For the wispy leaves of the cosmos plants, an intense green mixed from French lemon yellow and cobalt blue was applied in short dashes. Turquoise and cerulean blue the darker stems.
Managed to cut my thumb on a sharp knife, which isn’t anything spectacular or surprising. A nuisance!
In the studio, my paintings from Tanzania are up for the first time as a collection. The paintings are full of mystery and vibrancy that somehow transcend the emotional strain I was under while there.
Crew training evening at National Sea Rescue, Station 12, to hand over the painting I did for their 50th commemorations. The painting itself is dark and brooding with big skies and seas swamping the small red rescue craft. Fortunately the seas were only marginally lumpy and warm for the training exercise, as we were soaked by the wash of the boats as they did a high speed crew transfer.
from our Kenton Adventure, for my next portrait painting of the guitarist outside the Wharf Street Brew Pub in Port Alfred.