Straight lines and dodgy eyesight. Not that I was ever any good at putting up things in straight lines! However, with my ‘diabetic trampoline’ blood sugars these days, I’m not actually sure I’m able to even see when they are skew.
Wall-easels up in the studio with the paintings surviving the first onslaught of wild weather. My shoulders not enjoying the ‘Sistine Chapel’ contortions at the top of the ladder putting up the new track lighting. No blood involved and only one case of having to back-track the connections to find my incorrect wiring.
Terry’s modifications to what I thought would work, resulted in a cleaner look without the old overhead fluorescent panels. A mix of warm and cool white LED globes at 60 and 120 degrees giving energy efficient light that is gentle without compromising effectiveness.
A gazillion different ideas about what to paint for my demonstration slot at the Arts Festival Gala Night. Acrylics for a crowded auditorium with a bunch of other stuff going on, the sensible choice. Didn’t expect to be doing so much of the painting with the palette in the dark! The abstract-impressionist subject of the macro of the pincushion forgiving to errors in selecting the incorrect colour.
‘To The Water’ heading to its new home from our private collection of paintings. An opportunity to display different work in the apartment.
Fabulous cycle down through the forest and up the Gouna Pass road. Fighting to keep upright on the loose stoney surface as the road gradient increased. Grateful that I didn’t need to worry about traffic.
Butterflies. Sweat. A bit of blood. Howling wind. Dust. Homtini Pass. Four hours. The longest ride in many years. Breakfast at the Garden Route Trail Park halfway through the ride ensured that my blood sugars didn’t go crazy.
Homtini (The name is apparently of Khoi origin and means either “mountain honey” or “difficult passage”), is one of the more beautiful of the passes in the string of passes between Knysna and George. Covering 5km, it winds down 45 corners and curves through the thick indigenous forest.
‘Pincushion Macro’ Small acrylic on canvas paintings I have been trying to get done for ages, based on the photo’s Kirsten took of pincushion protea on the table at River Deck after our walk on the wild side. Do wonder how they would work at 2mx2m!
Vietnamese dinner with the last of the recipes for the book on Diabetic Sensitive Vietnamese food. Ga Rang Gung (Ginger Chicken) and a fish option, served with the classic Vietnamese salad and dipping sauce. A starter of the pork and prawn rolls, with a couple using salmon rather than pork. Good Hope Pinot Noir (Stellenbosch) and Chardonnay (2014) from Newton Johnson (Hemel and Aarde), and Stoney Brook (Franschhoek), with a 2013 Radfordale (Paardeberg) all worked well with the subtle flavours of the Vietnamese dishes.
The ‘Wall Easel’ hanging system installed in the studio. Flexible for the various canvas sizes I have used over the years, it can also be used as a painting easel for the 2m canvas I have waiting.
A great feature in the Kalahari Review of a collection of my small paintings.
With the alterations to the studio out of the way, and the new track lights not available for another week, the hanging system for the paintings still needs to be sorted.
A trial, ‘Wall Easel’, aesthetically pleasing and practical. Both for wind and for adjustments to take paintings that need to dry. This while maintaining the clear simplicity of the new space. The trestle table top planned for the studio a tad frustrating.
Sunrise Phantom cycle. So pretty riding down a ribbon of light. Sunlight playing in the dust.
Test Kitchen. Vietnamese fried wantons from Hoi An, and fried spring rolls from Saigon on the menu for Wayne to sample. Wet, or dry? Cook immediately, Or they stick turning into stodgy balls of mush.
The fried oil thing, horrible to work with. The air-fryer didn’t give the greatest results.
Tomato, pineapple and onion sauce not necessarily the best as a diabetic sensitive meal. When they work. Scrumptious. Champagne a definite.
‘Sleeping Rough’, an acrylic and marker pen illustration of boys outside the station in Knysna. I managed to do the underpainting for the portrait of the women in Hanoi.
‘Catfish and Mandala’ (Andrew Pham). A poignant, crafted book that brings our experiences of Vietnam into shimmering reality. The chapter headings are particularly fascinating, the Hyphenation in Pham’s journey. A depth of story in themselves.
‘Agapanthus Blue’, my painting for the Knysna Arts Festival ‘Unblocked’ exhibition where each artist is given a 20cmx20cm block of wood on which anything can be created.
Studio packed up to allow the contractors to get in an start the changes that have been under discussion for ages. The wall cladding and fragmented space being opened up with the removal of the partition wall and closing up of the window spaces.
A wide open space to discover and enjoy the paintings, and provides the opportunity for innovative hanging and displaying my work.
Vietnamese Steak au Poivre sauce with fillet, without the blackened veggies, more balanced. Leftover sauce and steak, with cauli-rice, made a tasty stroganoff. Pho ga (Vietnamese chicken broth). The spinach noodles together with julienne zucchini a great alternative, and a diabetic option, to the traditional rice noodles. The bottom of the bowl a treasure trove of flavours.
Felt like I was pounding the earth on my jog. Huge effort without a great deal of forward momentum, my body temperature soaring without the cooling wind that was nearly as lazy as Prince first thing in the morning.