Diary of an Adventure

Artists Adventures

The Zeitz MOCAA

See for yourself. All things being equal …

I was expecting the sensational architecture, but not the genius of contrasting raw concrete and polished edges. While the ‘rawness’ of Africa is palatable throughout the museum exhibits, the quality, craftsmanship and creativity of the artists, sensational.

Nothing restful. Death. Mayhem. Despair. Greed. Exploitation. In abundance. Strength, there is. Wisdom? Not sure. Colour, everywhere!

Perhaps, I have spent too long in the Africa where a child soldier holds an automatic weapon in your face, or men are pulled from a vehicle and beaten with rifles, boots and clubs because he is the ‘wrong’ ethnic tribe.

Yet. A woman sits in quiet contemplation in one of the most arresting galleries. Evocative, black and white, photographic portraits by Zanele Muholi – The South African artist and activist.

Loved, the sculpture garden. That spot of magenta inside a rusted pipe. Gazillion reflections in the iconic multifaceted windows. El Loki’s ‘Now and Then’. Nine discs forming the roof of the silos, and floor of the sculpt garden. Covered with his ‘cosmic alphabet’. Amazing.

Lucky enough to stumble across a young performing poet (To the lost??) standing amongst Kendell Greer’s Hanging Piece (consisting of an entire room filled with clay bricks hanging from bright-red ropes, tied noose-style, from the ceiling). Quite brilliant.

Too much for one visit.

See for yourself. All things being equal …

Fleurs de La Motte

Paula van Coller-Louw

Deceptive simplicity that I so admire in Japanese art. Something that in my paintings, I strive to achieve and fail at, miserably.

Compositions crafted by the delicacy of the wild flowers that are the subject of each work. The use of tonal shadow creating sculptural elements from the flowers that resonates with the central sculpture in the gallery.

Captivating.

Clos Malverne

A starter of smoked salmon terrine and orange glazed prawns followed by prawn bisque cream, line fish, salt and pepper calamari, salmon caviar and baby marrow spaghetti.

Dishes that were exquisitely crafted and delicious, with amazing service.

Still, a favorite

Diary of an Adventure

Harbour Town Adventures

Thermal burn. Not paying attention while putting wood onto the first fire of the winter season and getting my arm in the way of the hot closed combustion stove door. For a diabetic, doubly silly.

Run across the railway bridge over the Brenton hill to the sea. The trail section demanding concentration so as not to trash ankles.

Food illustrations for the Vietnamese food recipe book. Cozy evening with good food and wine. Steenberg Stately, a pairing challenge with Pho Ga, made with cauli-noodles. The Chardonnay still a better match, particularly as the Pho doesn’t have any sugar in it, which the Chardonnay balances.

Another stunning Chef Hirsh evening. His menu (all five courses) worked out to cater for my diabetic restrictions. Salmon and avocado ceviche with micro-greens and a scrumptious 2015 Bellingham Old Vine Chenin. Second course, roasted peppers soup with an unusual 2017 Rustenberg Rousanne. A third course of grilled lamb ribs, served with Newton Johnson Full Stop 2015, followed by grilled pork fillet, wrapped in bacon with a green salad and sweet-potato fries. Raats Cab Franc. Bloc A9, Cabernet from Aarendsig with a delicious cheese platter rounded out a glorious evening. Blood sugars, perfect.

Run with the sunrise. Smoke from the fires burning in the Forest creating a Turner sky. Spectacular.

Diary of an Adventure

Harbour Town Adventures

‘He ain’t Heavy’

Oil on canvas 2,0mx1,5m

Crazy dreams. The bunch of antibiotics to sort an abscess from a broken tooth?

‘He ain’t Heavy’, the large (2,0mx1,5m) abstract-impressionist painting of elephants at Addo Elephant Park. Although the large strokes of pure colour, applied in bursts of energy give the painting an abstract-expressionist slant, creating a large, vibrant work.

The ‘wall-easels’ flexible enough to accommodate the large painting while it dries, freeing the studio for creation of new work.

Cool, dark mornings, making that coffee far more attractive than heading out for a jog or ride. Mud fun in the forest. Increased dew, slippery underfoot. Core muscles given a work-over on the Homtini Pass cycle. Shoulders and arms trying to compensate for struggling legs.

Prince a tad ‘stone crazy’ as his latest fixation is chasing stones in the sea or waters of the estuary. While fabulous exercise for him, getting him to agree that play-time is over is a different matter.

Leaking water pipe between the water-meter and the studio a bother. A waste of water and money with the solution somewhere between lifting all the paving to search for the pipe route and not washing! The added complexity of monstrous Coral Tree roots.

Diary of an Adventure

Karoo Adventures

Nieu Bethesda

Half of this world is blue. Half, is dust!

Prince, sporting that ever so trendy ‘ash’ hair colour. Dust. Brilliance, of purple wild iris, amongst the grey dust.

In many ways, Nieu Bethesda has the same feel as Frida Kahlo’s Mexico. The odd brilliantly painted house amongst the cacti. That, slightly weird, alternative, lifestyle where the art, in this case, is infused by the ‘owl house’. Or perhaps, windmills and sunbeams?

Beautifully restored period houses line the dusty streets. Art gallery full of light with piano music carried on the wind. Dust Cover bookshop, a haven of intrigue. Vibrating with stories. Beautiful roses, thriving amongst the yellow autumn colours.

The Owl House, as strange as expected, without being creepy. Shadows cast by the various statues a constantly moving story. I wasn’t expecting the gracefulness, or the delicacy, of the concrete works. Craftsmanship thrashed out of an industrial medium.

I kept looking to see what aspect of her created world was reflected in the mirrors that are everywhere in the house. The crested moon mirror, reflecting the sun created on the glass above the door. Sunbeam floor polish, an iconic reminder of polishing Ouma’s stoep, the inspiration for her glass sun works that cover ceilings and windows.

Poignantly, profoundly, The Rubaiyat of Omar Khayyam, Quatrain XCIX

Ah Love! could you and I with Fate conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits …. and then Re-mound it nearer to the Heart’s Desire!

Dogs. Donkeys. Horses. Dogs. Concrete sheep. Dogs. Reptile statues. Dogs. Cats. Dogs. There are a lot of dogs in this sleepy town.

‘Karoo Lamb’, our lunch and dinner stop to collect the keys for our cottage. Service, informative and friendly. Food tasty, if a tad pricy. Unexpectedly, an exiting wine list. Dogs, Prince anyway, welcome.

The brilliant moon trashing the night sky stars. One of the highlights of this part of the world. Nothing that a great Riersvlei Shiraz from Prince Albert couldn’t sort.

There was the Karoo donkey cart, perfectly lit by the breathtakingly clear air. Galloping horse, shrouded by dust, with bareback devils. Characteristic, Karoo scenes. Brought alive by the kids hurtling around on mountain bikes, music blaring from mobile phones. The life-blood gurgle of the ‘leiwater’ channels, punctuated by the bells of the spectacularly white church.

The evening cold deserves a fire. However, without a fireplace, a Border Collie snuggle is a good a good alternative.

Portrait of Nigel, our craftsman and Botanical Tour Guide, outside the Owl House waiting for a canvas.