Acrylic on canvas 120cmx40cm
From a photo by Craig Smith, the ethereal beauty of the estuary covered in mist. I used grey’s of Ultramarine Blue and Burnt Umber and Cobalt Blue and Burnt Siena to create warm, cold tension. Permanent Magenta and a hint of Lemon Yellow and Cyan for effect.
World turned upside-down. Thunderstorms driving Prince demented. Sleep deprived. Garage flooded. Fortunately, no damage to the stored paintings.
The wet world, an opportunity for something scrumptious. Lamb shank moussaka. Deliciousness in spades. The sauce, another masterful combination of flavours from Marlene van der Westhuizen. Even on an ultra-thin wafer of week-old rye bread! De Grendel Merlot, perfect. As was the rich Bergsig chardonnay.
Different sort of day, sculpting from a live model. Particularly, as I have a portrait commission to paint. It was a great experience working from the live model, and I focused on ’looking’ at the model to determine volume. Realised that I had the proportions incorrect as the model was seated and I was standing, so looking ’down’ at him. Something that could have been adjusted with time, however, I was happy with the interpretation. I kept the sculpture rough, using only my hands, as I do with my painting. Might look at doing a life-size rhino head as a focal point outside the studio.
’Women in the Waves’
Acrylic on Canvas 200cmx70cm
Too many conflicting ideas messing about with my painting of the ’Women in the Waves’. Decided to stop smearing paint in the canvas. Happy with areas of the painting, while other bits are a tad overworked.
Summer. Visitors fleeing to confront the start of the new job year. Weather switched to glorious. If a tad stifling. Early Steenbok walk to get Prince wet enough to manage the hot weather.
Super yacht Katherine heading out to its next adventures. It’s stay at Thesen Harbour Town attracting a more of visitors.
Otto Lingi Simple. Nothing about Ottolenghi is ’Simple’! Preparation. Shopping. Chopping. Cooking. Exhausting. Delicious! Terry did a cauli-rice, infused with mint and parsley. Perfect with the slow-cooked lamb ribs. French-inspired slow-roasted tomatoes (with the jalapenos magic ingredient) and spinach dish, with pine nuts and pomegranate seeds. Looked amazing and packed with flavour.
Homtini Pass ride, with fabulous sightings of Knysna Louries. Even more amazing give the sweat stained glasses, and heavy breathing as I laboured up the pass. Senses overpowered by the ’honey’ scent. Sage wood plant?
Thrilled that my portrait of ‘Soli’ has been selected for the second round of judging at ‘BP Portrait 2020’. It’s the most prestigious portrait painting competition in the world, held for the 41st year at the National Portrait Gallery.
Getting it framed,and delivered to London by months end a logistical nightmare. Particularly with the Brexit mess. Still, a nice one to have!
Ladies in the Waves’, from Terry‘s photo, taking shape on the easel, between hectic waves of holidaymakers. Grateful for all the support.
Puncture cutting our cycle through the Forest short. Fortuitous that amongst us we managed to negotiate poor short vision. Sweat. Shaking hands. Tyre repair bits. Managed to get back safely, with that touch of extra bougainvillea blood drama.
Cooking with IRON! Cast Iron. Not the refined Le-Cruset, or beautifully finished Stuab, but the, ‘muscle car’ of cooking. My Xmas present. Ultra-heavy casserole pot for the Kamado Jan. Seasoned with olive oil over searing heat, before being entrusted with a meal. Duck Confit. Bacon strips lining the bottom of the pot, and a touch of extra Chenin moisture. Deliciousness. Cleaning up after duck. Not trivial. Not something to be left till the morning!
HbA1c, my blood glucose over the last 3 months, confirming the results of my blood sugar monitor, at 5,6%. The combination of careful diet and exercise keeping them controlled to the point that I can try cutting my insulin dose in half. Hopefully, this will also reduce the periods in the day when I go ’hypo’, which should make having me around a bit easier.
Oil on canvas 80cmx80cm
Submission for the David Shepard Wildlife Artist of the Year finished. A dramatic gold background that contrasts with the turquoise in the painting. Will be interesting to see how the jury reacts.
Year end. Holiday season. Delish food. Great company. Laughter. Rest demanded of my abused body. A tad too much wine, probably not helping.
On the easel. Riotous friendship. A sea-scape of ‘Ladies in the waves’ on the beach at Sedgfield. Trying hard not to go down the path of the successful painting of the ‘Wild Oyster Collectors’, or the more abstract Pringle Bay sea-scape. Rather letting the painting dictate its own path.
The ’creative theater’ of the studio, part of the holiday business, with holiday browsers, returning collectors and fellow artists.
“As per your wonderful sense/insight of humanity Jan, you have captured emotive images of the human spirit; universally speaking your mind by way of canvas, paint, & fingers. Many of us could learn to not just “look”, but to “see” as well, by taking notice of the message you have implored here within these works.”