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March 2020
  -    -  March

Quiet streets of Harbour Town reverberate with pulsing exhausts of vintage Bentley’s. Fabulous looking vehicles passing the studio. A woman stopped me in the street to thank me for keeping her spirits up with my vibrant paintings and to keep painting. Straight lines the bother with my fingers, particularly as the large canvas flexes. ’Hold the Open Heart’, a William Kentridge work from his series

Carefully, the composition takes shape on the canvas. First lines. Dabs. Smears. Paint starting to give the painting form. Composition too far left! Grateful for the support of clients in the studio. Particularly at this time of turmoil. Studio, quiet. In sharp contrast to the chaos unfolding at supermarkets. And we have free wine! The world has gone crazy. Yet we have our emergency insulin,

’Palette Leftovers’ Acrylic on canvas 70cmx200cm Marathon day. Singing and dancing supporters turning it into a street party, which Prince didn't appreciate. Especially after another night of lightning storms. The cheese-based crust (using a different recipe) for the Beef Wellington didn't hold its shape in the Kamado Jan, resulting in a sort of mush. Fortunately, it still tasted great, but I think that had more to

A few small paintings of Knysna seahorses, with the residue paint being applied to my canvas ’Palette Leftovers’. Airport eerily quiet. No frantic queues through security, chairs available in the departure lounge and an absence of aircraft on the apron. The shrinking of SAA’s domestic routes culling planes, and the slowdown in international travel as the world deals with coronavirus. This before the first