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March 2021
  -    -  March

The. ‘Flex’ on the large canvas giving me a headache trying to keep the rows and columns straight, as the recycled plastic water bottle butterfly artwork ‘Lotus’ heads towards the midpoint. Humbling that a collector was so engaged with my art. ‘I am so proud to be an owner of one of your art pieces.’ Rain. Marie Claude’s anchovy dressing for the Caesar salad. Cream, that

Japanese Anemones Acrylic on canvas 20cmx20cm Home. A tad stressful, with pilot having to ‘thump’ the plane down in poor visibility and rain. The runway in Jozie, flanked by drifts of pink and white cosmos flowers. A sure sign that autumn is approaching. Painted a million times, I’m always a tad apprehensive about finding something new to say. However, the architectural stem shape and archetypal

Detail from my painting ‘Fish Market’ Oil on cotton 150cmx50cm Hanging in Mum’s house. The glories of a mature Highveld garden, with trees offering shade from the fierce summer sun. A garden where delicate white Japanese Anemone blossoms sparkle against green and grey foliage. Rumbling thunderstorms, overlying the birdsong of wood hoopoe trying to make a hole in the nesting log. Barbets, red chested woodpeckers, grey

‘White-on-White’ Acrylic and recycled plastic water bottle butterflies on canvas received a Special Merit Award for ‘Art of Outstanding Quality’ at the 12th Annual International Abstracts Exhibition, chosen from 1,206 entries from 34 different countries. Underpainting for the ‘Lotus’ art piece using a light gray mixture of Cobalt Blue and Burnt Sienna. The 2mx1,5m canvas fun to work with. Thunder driving Prince demented. The Commissioned work