Diary of an Adventure

Harbour Town Adventures

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’Oyster Pickers,

Acrylic on canvas 200cmx70cm

Bum and legs, stiff after a Buffs beach walk, between rain showers. Of more probably, from all the bending down to find stones for Prince to chase through the surf. Shoulder screaming at the abuse.
Stellakya wine dinner evening, with large quantities of red wine to replace the blood I lost from the scratch on my arm. The lamb main dish was a tad disappointing and the dessert out of the question. However, the Springbok carpaccio was delicious and the snoek spring rolls tasty.
I have started a small rhino painting, based on my painting ’Unicorn’ in preparation for the large commission work. The last tube of Ferrario Turquoise Blue (No 80), from my magic paint ox, is almost finished, adding uniqueness to the works. Certainly giving my shoulder a workout, covering the large areas of the big canvas

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Diary of an Adventure

Harbour Town Adventures

’Iris and Foxgloves’, the latest addition to our wearable art range has arrived in time for Christmas. It’s a high quality, square 90cmx90cm, silk twill scarf with hand-rolled edges, available in limited numbers.
Endless cleaning and sorting of accumulated clutter, I came across a couple of bowls from my days in Afghanistan. Made from Herat blue-glass, they are available as that unique gift from the studio.
Doctor visit to check on my diabetes control. A bunch of blood tests needed to confirm the daily readings, however, it looks like my daily exercise regime and careful eating choices are such that I may be able to reduce my insulin dosage further for a three month trial period. Also hoping that this will reduce the number of times I suffer from the ultra-low blood sugar effects of frozen fingers, headaches and grumpiness. 
The zebra’s in my painting ’Etosha’, (oil on canvas 160cmx80cm) have the lightness that I was looking for, rather than the heavy black and white carthorse they were initially. I mixed Raw Sienna with the Cobalt Blue – Burnt Sienna grey mixture for the zebra stripes, with touches of white so the light moves across the painting.
Diary of an Adventure

Harbour Town Adventures

Amazing that it’s been four years since we opened the studio on Thesen Harbour Town.
First light. Fabulous cycle through the Forest and up Homtini pass. Legs struggling to turn the pedals on the steep, rough sections. Shoulder complaining at the abuse. Shaking hands not the best for a finger painter
Etosha. Cobalt Blue and Burnt Sienna grey mixture to soften the edges of the animals that felt as they were shouting from the canvas with the darker Ultramarine Blue and Burnt Umber grey. 
Striving for the balance between a line that says so much and detail that kills it.
The perfect end to a summer’s day. Walk and play on the beach with Prince and Ricco before a sunset picnic high up on the Brenton cliffs overlooking the sea. Didn’t expect the mozzies to be out hunting!
I never knew that the best way to store tubes of oil paint in not with the caps up not is it with the tubes on their side. The best way to store artists oil paint is with the caps downward. This way the linseed oil can rise to the top and when you open the tube you get the pigment you need, without the extra liquid. I have some sorting to do!
Thanksgiving dinner at the Worroll’s. Made a diabetic-sensitive chocolate remoulade, with blueberry and thyme juice. 

bûche de Noël


CHOCOLATE YULE LOG

AUTHOR: ANGELA COLEBY


INGREDIENTS

SPONGE

  • 6 eggs separated
  • 1/3 cup 38g coconut flour
  • ½ cup 107g erythritol (or sugar substitute)
  • 1/3 cup 28g cocoa powder, unsweetened
  • ½ teaspoon baking powder
  • ½ teaspoon ground nutmeg
  • ½ teaspoon salt

FILLING

  • ½ cup 60g heavy/whipped cream, (whipped into stiff peaks)
  • 2 tablespoons cranberry chia jamoptional

TOPPING

  • 4 oz 112g butter unsalted, softened
  • ¼ cup erythritol or sugar substitute
  • 6 oz 168g cream cheese, softened
  • ¼ cup 22g cocoa powder, unsweetened

INSTRUCTIONS

  1. Preheat the oven to 180C/350F degrees.
  2. Grease and line a long rectangle baking tin with parchment paper. My tin is about 8 inches by 12 inches.
  3. Whisk the egg whites until stiff.
  4. In another bowl whisk the egg yolks and erythritol together.
  5. Add the remaining cake ingredients to the egg yolk mixture and combine well.
  6. Fold in the egg whites to the cake mixture.
  7. Spoon into the baking tin and smooth evenly.
  8. Bake for 20 minutes until firm.
  9. Remove from the oven and place a piece of parchment paper over the cake whilst still warm (be careful not to burn yourself!).
  10. Remove the cake from the tin, keeping the parchment paper on the bottom of the tin so that the cake has parchment paper either side of it.
  11. Gently roll the cake from the smaller edge into a swiss roll shape. This will make it easier to unroll and fill later.
  12. Set aside to cool.
  13. Once the cake is cool, gently unroll the cake from the parchment paper and spread with the cranberry chia jam. Add an even layer of the whipped cream.
  14. Gently roll the cake back into the swiss roll shape.
  15. Place in the fridge for at least 30 minutes to help keep its shape.
  16. Make the topping by blending the butter and cream cheese together until smooth.
  17. Add the erythritol and cocoa powder and beat until smooth and blended.
  18. Smoother the topping all over the cake.
  19. Keep in the fridge to firm up the topping.
  20. Eat and enjoy!

RECIPE NOTES

Makes 8 slices

Nutritional Info per slice: 272 Calories, 24g Fat, 8g Protein, 9.6g Total Carbs, 4.3g Fibre, 5.3g Net Carbs

Diary of an Adventure

Harbour Town Adventures

‘Etosha Study’, painted as a demonstration at the Greyton Art Walk, on a wet summers day. Thrilled with the ostriches that are full of movement and simplicity.
Boulilli de boeuf. A variation on the beef short-rub, served with a spoonful of sauce vert. Despite being packed with flavour and impossibly rich, a tad underwhelming. Strawberry Fields from Graceland, mouth watering.
The aubergine tomatoes, mozzarella, fresh basil and ricotta stack that Clare made, delicious.
Tourists. Sunshine. Sparkling water. Yachts, paddle steamer and ferries. Blazing sunsets. Owls chicks, yelling. Seagulls screeching. Summer days hurtling towards the holiday season.
With the underpainting dry, and the composition on the canvas, the painting of ‘Etosha’ is in its initial steps. Not sure that the lower part of the canvas isn’t too neglected in terms of where the animals are positioned.  However, I’m pleased with the rough texture that contrasts with the paired-back sky. 
Running legs working hard and as my average pace has moved beyond the 5:30/km I have transitioned from shuffler into the jogger, runner zone. The 5:00/km being the next transition from jogger to runner. At least, in my head! This while staying injury free and managing the mountain biking within the pain threshold of my recovering collar bone. 
Diary of an Adventure

Harbour Town Adventures

Beach walk at Sedgefield before a quick stop at the market for blue skies organic salt. Studio busy with holiday tourists and the canvas for the Etosha commission on the easel. An underpainting of two blue-grey mixtures. Ultramarine Blue and Burnt Umber, as well as Cobalt Blue and Burnt Sienna. Dashes of Cerulean Blue adding depth.

Fabulous dinner. J9. Chef Coreta. Amuse-bouche of Chev, melon, Parma ham and dill served with Ghost Corner Bowline. Grilled halloumi, roast tomatoes, on a bed of butter lettuce served with ‘Courageous’, dry land barrel fermented Chenin as the starter and a main of Kingklip, pancetta, Parmesan, dill in a Champagne and cream sauce. a selection of wine that included Colmont MCC, Miss Lucy, Radford Dale Chardonnay,  Driehoek, Oak Valley and Newton Johnson Family Vineyard Pinot Noir. Tarte au Chocolate as a dessert served with Doran Vineyard Shiraz. 

Via’s are hosting my art and painting demonstration as part of the Greyton Art Walk. I have a collection of my small paintings, as well as a few of the silk scarf wearable art range for something different.

‘The Walk the Experience’ gives access to various artists studios and homes, providing insight into working methods, techniques and inspiration.
My early run took me out onto the trails through the hills outside the Village. Taxing in the extreme!
Diary of an Adventure

Harbour Town Adventures

‘Leisure Walk’, a small painting in the series of paintings I’m doing for the Greyton Art Walk. Hijacked by Terry for her desk. ‘Forest Elephant’ the most challenging.
Slow grilled beef short rib, on the Kamado Jan, while tasty,  not fantabulous. Even with the button mushrooms and bacon, Gordon Ramsey assistance. Mistakingly having the short-rib sliced into strips didn’t help,as they cooked too quickly, without any of the anticipated  impressive sauce.
Phantom pass. Crossing the Red Bridge. Shoulder, cracking and popping as it settles into the abuse of off-road riding. Glad for the grading of the roads to reduce the corrugations. Confidence stretched, brakes working hard, on the way down.
Blood sugars struggling to handle the running, cycling and that tad too much wine. Inevitable with the World Cup rugby euphoria at J9, and Craig’s fabulous wine cellar.

Leisure Walk

Acrylic on canvas 20cmx20cm

Diary of an Adventure

Gallery Adventure

Why Should I Hesitate: Putting Drawings to Work’, the William Kentridge exhibitions At the Zeitz MOCAA
Of particular significance for me, the inclusion of his studio practice within the exhibition was fascinating and how the video’s of his works have been developed into the stories that, while profoundly disturbing, capture his whirling mind within the environment that directs his creative process. 
‘The studio is central. It is the space in which we discover who we are, through the process of making.’
William Kentridge
Senses overloaded by the visuals that if not dramatic enough in black and white, with streaks of red, screamed at you through the large megaphones. Both those depicted visually and those blasting sound within the installations. Ramming his message home in a ‘deaf’ world?
I was glad to come out into the sunshine and a glass of wine! 
Why Should I Hesitate: Sculpture, at the Norval Foundation. 
Clever. Bizarre. Disturbing. Fantastical. Noise. His signature megaphones, less of ‘His Master’s Voice’ but rather those used to cower through blasted propaganda.
I do wonder how the new propaganda tool, social media that seeks to manipulate messaging that ferments division and hatred will be depicted in the art of the future? 
If nothing, a headache is certain.
The sculptures in Rebus are playful and intriguing as they transform from a simple edge into different shapes depending on how they are viewed. Guess much like the truth of anything. Light playing it’s own role in resolving the puzzle of the logical and illogical.
I couldn’t connect the massive sculptures in the main gallery to the vista through the windows to the mountains. It seems unlikely that the sculptures were randomly placed, without taking the movement of sunlight and the backdrop into account. 
Senses beaten into submission?
Silhouette figures in cut out steel, Solid Shadows at the entrance evoke the same feelings I experienced walking through an abandoned steel mill, or mine. Casting shadows of past glory, they remain hunks of black steel, against blue skies.
Diary of an Adventure

Gallery Adventure

Why Should I Hesitate: Putting Drawings to Work’, the William Kentridge exhibitions At the Zeitz MOCAA
Of particular significance for me, the inclusion of his studio practice within the exhibition was fascinating and how the video’s of his works have been developed into the stories that, while profoundly disturbing, capture his whirling mind within the environment that directs his creative process. 
‘The studio is central. It is the space in which we discover who we are, through the process of making.’
William Kentridge
Senses overloaded by the visuals that if not dramatic enough in black and white, with streaks of red, screamed at you through the large megaphones. Both those depicted visually and those blasting sound within the installations. Ramming his message home in a ‘deaf’ world?
I was glad to come out into the sunshine and a glass of wine! 
Why Should I Hesitate: Sculpture, at the Norval Foundation. 
Clever. Bizarre. Disturbing. Fantastical. Noise. His signature megaphones, less of ‘His Master’s Voice’ but rather those used to cower through blasted propaganda.
I do wonder how the new propaganda tool, social media that seeks to manipulate messaging that ferments division and hatred will be depicted in the art of the future? 
If nothing, a headache is certain.
The sculptures in Rebus are playful and intriguing as they transform from a simple edge into different shapes depending on how they are viewed. Guess much like the truth of anything. Light playing it’s own role in resolving the puzzle of the logical and illogical.
I couldn’t connect the massive sculptures in the main gallery to the vista through the windows to the mountains. It seems unlikely that the sculptures were randomly placed, without taking the movement of sunlight and the backdrop into account. 
Senses beaten into submission?
Silhouette figures in cut out steel, Solid Shadows at the entrance evoke the same feelings I experienced walking through an abandoned steel mill, or mine. Casting shadows of past glory, they remain hunks of black steel, against blue skies.
Diary of an Adventure

Harbour Town Adventures

Small Cape-sugarbird painting and two new scarf designs based on the Irises and Foxgloves and the abstract seascape from Pringle Bay. Hours grappling with the enforced software changes as Apple eliminate third party software.

Buffel’s dune walk, beach and graffiti. Calf muscles a tad unhappy with the soft sand and steps. Not nearly as unhappy as my bum muscles after their first ride back on my mountain bike! Clavicle complaining at the abuse of the short Red-bridge, White-bridge loop through old Belvedere. 
Studio worked well for an intimate dinner at the long-table. Great weather helped.
Howling winds, and patches of rain. Perfect weather for a Boeuf bourguignon. That Julia Child favourite, but using the recipe from Plate that has the beef marinaded overnight and cooked on the bone. Not the prettiest of dishes, it was delicious. Served with a rich sweet-potato gratin and green beans, not forgetting the compulsory crusty bread for the sauce. 221 Cuve from Alvis Drift worked fabulously.
Diary of an Adventure

Harbour Town Adventures

Studio busy with tourists and a new banner up against the black of the building site next door giving some visibility for the studio. 

A small painting of Cape Sugarbird, and two canvases prepared for the Greyton Art Walk next month. I will be painting there for a couple of days and need the canvases dry enough to travel. 

Resupply of paint a tad extreme. Cyan, an unknown ‘primary’ colour. Both in acrylic and oil paint. 

Axe Hill Machado, the Portuguese word for ‘axe’. 35% Souzão, 30% Touriga Nacional plus dashes of Shiraz and Tinta Barocca from Carlitzdorp is big, generous and chewy. Not quite the wine I would have chosen for a hot summer afternoon. However, it pushed the sun into the shadows and with a rich gorgonzola couldn’t be faulted.
Mountain bike back from its service With new cycling shorts to add that extra layer of bum-protection, I’m hoping that my collar-bone won’t protest too much.
Great to see the paddle steamer back at its mooring, after almost submerging earlier in the year. Summer sunsets wouldn’t be the same without the paddle steamer crossing in front of the apartment.
Blood sugars settling back to less scary levels.