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  Red, black and a medium mix for the red squares on my chromatic black painting. The blue squares have blue added to the black and yellow is mixed with that to create the green squares. The studio technique, used by Ad Reinhardt in his black paintings. Using acrylics, I didn’t get the absolute matt finish of his paintings, however it still provides an

Chef Hirsch menu of scrumptiousness. Chèvre fried with bread crumbs on tomato, tarragon herb salad and sherry vinaigrette. Tuna tonnato with capers, olive oil and other bits with seared tuna and crushed coriander seeds. Lamb marinated in Z’atar, Sumac & olive oil, with roasted garlic aioli. Huge amounts of wine that made navigating home a tad messy. East Head walk with Prince, who wasn’t

‘MM’ oil on canvas 50cmx60cm, my study of Manet’s painting ‘Before the mirror’, which he painted in 1846, has been included in the SCAVA “Old Masters” exhibition that will open on the 17th November. Mist hanging low over the mountains made for a pretty, if a tad nervy ride. Zero visibility with my glasses coated in mist. Followed Craig’s bright socks hoping that he

Studio apartment antics. Coq au vin. A starter of veg soup, with a hint of Durban curry heat and fried Chorizo croutons. Finally happy with the recycled plastic water bottle butterfly mobile. It’s effect under the uv-light fabulous. I won’t be doing any more, as they are incredibly time consuming. But, pretty. Production line of butterfly painting for ‘White-on-White’. The butterflies sorted into groupings according

Forest Oil on canvas 90cmx120cm Special Recognition for ‘Art of Outstanding Quality’ at the 10th Annual International Landscapes Exhibition. Chosen from 740 entries and 27 different countries around the world. The Forests, bursting with spring flowers. Yellow, purple and white blossoms. I wanted that slightly misty, ethereal quality to my painting. Summer lightness, and brilliance. Without being insipid. That touch of Paul Cézanne, yellow and turquoise. White-on-White. Preliminary