Fly Fisherman Oil on canvas 20cmx30cm I used a light application of translucent Raw Sienna (Winsor&Newton) to add depth to the water, before adding the light ripples to complete the painting. Rillettes de Canard. Delicious. Served with Steenberg MCC, and Pinot Noir. Perfect. Rillettes (Ree-Etts) in which seasoned cooked meat, or fish, is shredded and combined with fat into a soft pate. Served at room temperature, spread
This a salute to everyone who has survived and endured a year of uncertainty with Jan Raat’s award winning COVID-19 lockdown artwork. ‘Hold the Open Heart', Oil on Newspaper and Canvas 100cmx150cm by Jan Raats is an 'LICC Official Selection’ Winner, singling it out as ‘one of the best’ in the 2020 Edition of the London International Creative Competition. This piece is painted on
The. ‘Flex’ on the large canvas giving me a headache trying to keep the rows and columns straight, as the recycled plastic water bottle butterfly artwork ‘Lotus’ heads towards the midpoint. Humbling that a collector was so engaged with my art. ‘I am so proud to be an owner of one of your art pieces.’ Rain. Marie Claude’s anchovy dressing for the Caesar salad. Cream, that
Japanese Anemones Acrylic on canvas 20cmx20cm Home. A tad stressful, with pilot having to ‘thump’ the plane down in poor visibility and rain. The runway in Jozie, flanked by drifts of pink and white cosmos flowers. A sure sign that autumn is approaching. Painted a million times, I’m always a tad apprehensive about finding something new to say. However, the architectural stem shape and archetypal
‘Dancer’ Oil on Italian linen (35cmx50cm) Increased the tonal contrast of the painting, strengthening the white areas and saturating some of the black bits. Trying hard not to overwork the painting or loose the spontaneous mark-making. Came across a painting I didn’t recall doing a few years ago of Wild Peacock (60cmx60cm), our fabulous deli in Stellenbosch. It’s painted in oil on a cotton canvas
Small seascape studies for a Commissioned work, to get the composition right and the basic palette. The boiling sea foam difficult at such small scale. A tonal study in grey. Pushed the wave detail and the sky too far. Cobalt Blue and Burnt Sienna for the grey mix, with a Cobalt Blue and Venice Red an alternate grey. For the sea, I used Green
Star Jasmin ball with recycled water bottle butterflies Recycled plastic water bottle butterflies in the jasmin-ball pot coming into spring leaf. The next mobile test progressing with a brass backbone. Epoxy to hold the butterflies, a slow Responsible for integrated health HIV/AIDS and TB humanitarian programs In Botswana and Tanzania, I painted the start of the Serengeti migration. My painting, the backdrop for the