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Last of the 800 recycled plastic water bottle butterflies cut out and painted for the large ‘Lotus’ painting. A few concerns about the muddle of what butterfly goes where, amongst the 32 rows and 25 butterflies in each row. Underpainting of the canvas started. Testing greenish, grayish, blueish sections to see if any work better than white. Fabulous time on Buffs beach at sundown

‘White-on-White’ Acrylic and recycled plastic water bottle butterflies on canvas chosen for the digital collection on the pandemic. COVID-19 DIARIES GARDEN ROUTE GEORGE MUSEUM Captivating COVID -19 Art. From the kitchen of Chef Hirsch. Zucchini cannelloni with cashew nuts on a Pomodoro base. Basil and sunflower seed pesto. Delicious. Oak Vally, Sounds of Silence, Pinot Noir. Perfect. Glorious afternoon for a sundowner boat trip with Pete

A small recycled plastic water bottle butterflies art work commission, with the Lotus flower as inspiration. Didn’t think it would work as well as it did at the small size. The large work still progressing, although I wasn’t expecting that it would need an additional 200 butterflies! Italianalicious dinner. Charcuterie, Melon caprese salad, Keto Gnocchi in sage butterGamberi alla Busara. Also tried the pork

‘Dancer’ Oil on Italian linen (35cmx50cm) Increased the tonal contrast of the painting, strengthening the white areas and saturating some of the black bits. Trying hard not to overwork the painting or loose the spontaneous mark-making. Came across a painting I didn’t recall doing a few years ago of Wild Peacock (60cmx60cm), our fabulous deli in Stellenbosch. It’s painted in oil on a cotton canvas

Chef Hirsch menu of scrumptiousness. Chèvre fried with bread crumbs on tomato, tarragon herb salad and sherry vinaigrette. Tuna tonnato with capers, olive oil and other bits with seared tuna and crushed coriander seeds. Lamb marinated in Z’atar, Sumac & olive oil, with roasted garlic aioli. Huge amounts of wine that made navigating home a tad messy. East Head walk with Prince, who wasn’t

‘White-on-White’, or perhaps I should be calling it the ‘Absence of Colour’?. The addition of acrylic Matt medium to the white paint, creating the contrast between the Agnes Martin inspired bands. My eyes feeling like I’m in a snow-storm, white-out! Graphite lines, a guide. Infuriating in the smudges of grey in the increasingly annal fixation with line and purity. The flex in the canvas,

Forest Oil on canvas 90cmx120cm Special Recognition for ‘Art of Outstanding Quality’ at the 10th Annual International Landscapes Exhibition. Chosen from 740 entries and 27 different countries around the world. The Forests, bursting with spring flowers. Yellow, purple and white blossoms. I wanted that slightly misty, ethereal quality to my painting. Summer lightness, and brilliance. Without being insipid. That touch of Paul Cézanne, yellow and turquoise. White-on-White. Preliminary