Edith at the gallery in Zurich with the digital image of my 'Lotus' painting. Incredible. A good 80% of the traffic lights were out of order, which when brewed with a driving culture that ignores stop signs and traffic lights, is probably safer as you aren't expecting traffic to stop at a red traffic lights. I did find it amazingly stressful! Of course, this is
King Butterly Acrylic on canvas 20cmx20cm A tremendous privilege to have this painting going to a young collector to be included in her private gallery. Fabulous Border Collie, calf screaming, walk up the hills of Eastford Estates. The Nature Reserve recovering after being ravaged in the fires. Amongst the pioneer plants, the foundations of homes raised to the ground, a sobering reminder of the trauma. Ticks,
Thrilled that my 'Lotus', Acrylic and recycled water bottle butterfly painting, has been Shortlisted for the 2021 Innibos National Craft Award. Entries in all disciplines, from grass-weaving and ceramics to beadwork, wirework, wood, jewellery, paper, fabric painting and printing, quilting, leatherwork, pewter, glasswork, embroidery and mixed media were invited. Small cheetah painting. ‘Woes’ Acrylic on canvas 20cmx20cm Not very clever trashing my iPad by dropping it down the
Painting of Central Park received a ‘Special Recognition Award’ for Outstanding Art at the 11th Annual International Open Exhibition. Selected from 879 entries. Managed to bruise my bum falling over my feet. Seriously painful. Made for an interesting right-side, left-side dilemma between COVID jab tenderness, bum and my still unhappy shoulder. Terry did a delicious Dog Mom’s, post Covid isolation lunch. Starter: chèvre wrapped
A painting I did in Afghanistan, of boys walking down the street outside our house. (Street 5, House No 77, Apartment 2, Ansari Watte, Shari-e-Now District) ‘Kabul Balloons’, oil on canvas board 36cmx46cm received a Special Recognition for ‘Outstanding Art’, at the ‘555’ Special Art Exhibition. Selected from 1,437 entries from 31 different countries. The towers in my painting of Central Park, are the
While we adjust to the increased Lockdown, the sea thunders with the onset of the latest storms. Grateful for our fire! And that extra glass of red wine. Stretching canvas, not my best. However, with a bit of effort, I have a new canvas waiting. During my time in New York City, I admired the artists painting various aspects of Central Park, without the confidence
ArcherOil on canvas 20cmx30cmCommissioned work, alongside the ‘Fly Fisherman’. Fragmented strokes to create a sense of volume, while minimizing detail and focusing on the poise and strength of the archer. Core muscles pounded to mush on the Buffs trail ride. While not technical, still demanding through soft sand and the ride along the railway line section. Spectacular it is, Early sunshine on the breaking
Fly Fisherman Oil on canvas 20cmx30cm I used a light application of translucent Raw Sienna (Winsor&Newton) to add depth to the water, before adding the light ripples to complete the painting. Rillettes de Canard. Delicious. Served with Steenberg MCC, and Pinot Noir. Perfect. Rillettes (Ree-Etts) in which seasoned cooked meat, or fish, is shredded and combined with fat into a soft pate. Served at room temperature, spread
‘Archer’, a companion painting to ‘Fly Fisherman’. I used the same Naples Yellow underpainting and the grey mixture of Cobalt Blue and Burnt Sienna. However, the painting approach and feel for the painting is very different. Beach walk on a stunning, sun-filled day. J9 for Coreta’s Marsala braaied chops, served with a touch of boerie, curried cauliflower, creamed spinach and oodles of green salad. After
Forest Walk Oil on canvas 120cmx90cm Circles-in-the-Forest walk. The perfect antidote to hospital. The hum, slither and manipulation of electronics that turn the body into a series of dark and light. Abstract tracts of wood worm on an ancient tree, leasing to the vault of blue. A touch of rain, magical. The world asleep under its grey blanket, lulled by the waves breaking on the beach.