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Star Jasmin ball with recycled water bottle butterflies Recycled plastic water bottle butterflies in the jasmin-ball pot coming into spring leaf. The next mobile test progressing with a brass backbone. Epoxy to hold the butterflies, a slow Responsible for integrated health HIV/AIDS and TB humanitarian programs In Botswana and Tanzania, I painted the start of the Serengeti migration. My painting, the backdrop for the

‘Palette Leftovers’ sold and in its new home. Vibrant swirls of colour that entice and fascinate.  Storms tearing through. Unsettled nights. Huge moon. Chaotic winds. The Forest beautiful at first light, and Running with the sunrise, noticeably earlier. The commissioned portrait, ‘Deurmekaar Weskus’, mostly sorted. A few Issues to clean up. A tad darker in spots, and grey-white smears needing touching up, once the paint

Terry’s terrine de campagne, cold-smoked salmon, green salad with pine-nuts, sweated peppers, tartiflette, pork rashers and boerie the tapas-style birthday dinner. The Fairview Carignan and Tannât were perfect pairings. The Palatinus, outstanding! Salmon, grapefruit, avo, radish and creme fresh The ‘black’ in my portrait ‘Wild Thing’ a mix of Lefranc Burnt Umber and Windser and Newton French Ultramarine. Searching for the essence, within the facial

At night Recycled plastic water bottle butterfly garden stake, not quite the ‘glow-in-the-dark‘ I was hoping for. However, I have sorted the various paint layers to still give a shimmering finish to the butterflies. The mural will take 100 butterflies per square meter, and the mix of small and large ones may need a bit of juggling. With 7 cut out of each bottle,

Special Recognition Award for ‘Outstanding Art’ at the 10th International ‘Animals’ Art Exhibition, selected from 1,040 entries from 32 countries. Mist through the Forest on Kom-se-Pad ride. Privileged. Spectacular. That tad bit of drama, managing my blood sugars on the long ride and over a 1,000 meters of climbing. Getting better at listening to when my body is fatigued and crashing. Woolies low-carb seed

My commissioned painting ‘Etosha’ received a Special Recognition Award for art of ‘Outstanding Quality’ at the International 10th Anniversary Exhibition. Selected from 2,249 entries and 34 countries. While I’m thrilled to benchmark my work by an international jury, it’s nothing like seeing a child enthralled by a painting in which he is a subject. Adam, and the painting ‘Children in the rain’, which

The painting of the Cheetah Cubs at that point, where, that touch of magic. If. I’m brave enough. To let it happen. Disaster avoided, as howling winds tossed the shopping bag, containing eggs, as I tried - unsuccessful - to navigate a walk between storm squalls. Wet. Bedraggled. The Forest a jumble of fallen trees. Ancient yellow-wood tree standing tall amongst the carnage. The

Painting demonstration, streamed live, a fantastic opportunity to be part of the Virtual Knysna Oyster Festival, with an estimated audience of 450,000 on various social media platforms. The cheetah cubs painting coming alive during the process of smearing paint about. 100 days of lock-down, 10km run. Probably not the cleverest idea to head out on Knysna Forest Marathon day. Even if I kept to

Cheetah painting taking shape. Working hard to keep the ‘sketch’ feel to the painting as my concept for the work is an artist working while out on safari. This of course, a tad different in the 1,5mx1,5m canvas! A few niggles to sort from the first Virtual Oyster Festival live-streaming painting demonstration from the studio. Hopefully sorted for the next session. Still, a most