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Knysna Tag
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Herb pot, recycled plastic water bottle butterfly (Photo credit Clare Bosman) Forest walk, with mist and a touch of rain to start, before the sun turned the heat up. For a Border Collie, the puddles irresistible! As are the single tracks. Pathways, of adventure, made to tear down. Slightly larger butterflies from various different plastic water bottles to see how the colours, or white change.

‘Lotus’ Acrylic and recycled water bottle butterflies on canvas 50cmx60cm. A study for a larger work with a softer approach to the saltbush mark-making on the recycled plastic water bottle butterflies. A more restful composition that uses the translucence of the plastic to better effect. Joan Mitchell’s influence in the colourful, compositional rhythms and vivid emotion that takes inspiration from the lotus flowers of

With more of the recycled plastic water bottle butterflies finished on my ‘Rhenosterveld’ artwork, I’m getting lost in the composition and have had to slow down to let a section dry before tackling the next bit. Taking inspiration from Joan Mitchell, an American Abstract Expressionist artist whose aggressive brushstrokes and vivid colour were used to convey emotion. Much of her career was spent

Chef Hirsch menu of scrumptiousness. Chèvre fried with bread crumbs on tomato, tarragon herb salad and sherry vinaigrette. Tuna tonnato with capers, olive oil and other bits with seared tuna and crushed coriander seeds. Lamb marinated in Z’atar, Sumac & olive oil, with roasted garlic aioli. Huge amounts of wine that made navigating home a tad messy. East Head walk with Prince, who wasn’t

White on White 100cmx100cm Acrylic and recycled plastic water bottle butterflies on canvas First attempt at sticking the recycled plastic water bottle butterflies to the canvas a failure. At least, neither the canvas or the butterflies were damaged. Worked out a system to keep them in straight lines using a wood strip secured with clamps as a guide. Finding gaps in the mark making butterflies amongst

‘White-on-White’, or perhaps I should be calling it the ‘Absence of Colour’?. The addition of acrylic Matt medium to the white paint, creating the contrast between the Agnes Martin inspired bands. My eyes feeling like I’m in a snow-storm, white-out! Graphite lines, a guide. Infuriating in the smudges of grey in the increasingly annal fixation with line and purity. The flex in the canvas,

Forest Oil on canvas 90cmx120cm Special Recognition for ‘Art of Outstanding Quality’ at the 10th Annual International Landscapes Exhibition. Chosen from 740 entries and 27 different countries around the world. The Forests, bursting with spring flowers. Yellow, purple and white blossoms. I wanted that slightly misty, ethereal quality to my painting. Summer lightness, and brilliance. Without being insipid. That touch of Paul Cézanne, yellow and turquoise. White-on-White. Preliminary

Star Jasmin ball with recycled water bottle butterflies Recycled plastic water bottle butterflies in the jasmin-ball pot coming into spring leaf. The next mobile test progressing with a brass backbone. Epoxy to hold the butterflies, a slow Responsible for integrated health HIV/AIDS and TB humanitarian programs In Botswana and Tanzania, I painted the start of the Serengeti migration. My painting, the backdrop for the