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Norval foundation Tag
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‘Why Should I Hesitate: Putting Drawings to Work’, the William Kentridge exhibitions At the Zeitz MOCAA Of particular significance for me, the inclusion of his studio practice within the exhibition was fascinating and how the video’s of his works have been developed into the stories that, while profoundly disturbing, capture his whirling mind within the environment that directs his creative process.  ‘The studio is central.

‘Why Should I Hesitate: Putting Drawings to Work’, the William Kentridge exhibitions At the Zeitz MOCAA Of particular significance for me, the inclusion of his studio practice within the exhibition was fascinating and how the video’s of his works have been developed into the stories that, while profoundly disturbing, capture his whirling mind within the environment that directs his creative process.  ‘The studio is central.

If bending trees weren’t enough of a warning, kite-surfers screaming across the Estuary were. Only hardened cyclists braved the roaring winds for the Oyster Festival races. The Ultimate Fitness Festival?. Sling keeping my shoulder from moving, too crazily. The blessing of a Mungo, superb woven towel, easing the chaffing. Blood sugars back into their normal range after the trauma, and a couple of coffee

'Unicorn 2’ Oil on canvas 1,5mx1,5m A few tweaks, and a couple of significant changes to the composition of the Rhino. I decided to leave the tempestuous background, with its rough texture alone, as a contrast the smoother dust in the foreground. Grateful for the collector who commissioned the painting. Loved the opportunity to work at that scale. I. Remarkably, no blood! Hugh walked my bike out to