That spot in the afternoon sunshine at FSC. Cats, or the impression of cats, wonder through the house turning themselves inside-out, before curling up in the shafts of sunlight. Champagne dancing.
Franschhoek, for the Literary Festival. A lunch stop at the Tuk Tuk Microbrewery. Tapas, those tiny excuses for food that leave you hunting for a pizza delivery. That said, the variety of Mexican inspired flavours with their various beers, or wines, was delicious and interesting.
The De Villiers Chocolate Café should, as all WMD, carry a warning of global destruction. Making a choice, being the first impossible task, before the taste of pure deliciousness forces you back for that next, something.
Amazing they had the statue of the lady on a bench that I had used in a painting, ‘Kim Sit’, when it was in Stellenbosch. This was a bronze work, while the one in Stellies was white. For my painting, I used the installation, together with one of the street men who roam around the city.
The inclusive, connecting people of the couple in the installation reinforcing the superficial nature of racial integration, with the black figure only present in silhouette. The street walker. Excluded. Discarded.
I overnighted with Lesa and Alan after spending a day running about Cape Town for chores. Saturday ParkRun with Alan. The course, while not along the coast was challenging and fun.
Terry managed to get us into the last seating at The Vine bistro at Glenelly, where our favourite Chef, Christophe Dehosse, is creating magic. It’s an Estate we hadn’t been too, with a contemporary building amidst the historic Cape Dutch homesteads.
With a French owner of the Estate, May de Lencquesaing, his French-inspired dishes are perfectly settled and delicious. That extra crust of crispy bread to mop up the last of the Filet Mignon wine sauce. This despite the over generous portions.
Our wine choice may not have been the best for the variety of dishes. The 2015 Cab Franc, and the 2016 Chardonnay a tad young. However, the light freshness perfect for the warm autumn day looking out over the vineyards.
The new gallery space at Ebony-curated in Franschhoek is spectacular. While the art needs to be carefully chosen to benefit from the space, light, simplicity and perspective, I doubt if any artist wouldn’t be thrilled to have their work in the gallery.
It’s probably even worth a ‘Damien Hurst stunt’ where a buyer walked in and bought all his work to effect a ‘Sell Out’, even though he was buying (predictive text ‘burying’) his own work.
It’s been ages since I jogged up hills, and certainly the steep undulations Craig decided to add into the jog along the estuary had me short-breathed, with my legs complaining.
In the studio, the painting of the group of boys on their Odyssey adventure in taking space. A bunch of elements on a smallish canvas (90cmx60cm). Keeping the details to a minimum to reinforce that these are boys in their formative years, as well as the collective ‘Band of Brothers’, where there aren’t individuals.
Knysna-Plett Herald article