Diary of an Adventure

Harbour Town Adventures

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‘The Yard’

Oil on canvas 100cmx80cm

Rolling the pork belly, with pesto and a butterflied pork fillet to prepare the Porchetta is a messy business. I managed to make an ever bigger mess of the Weber fire, which meant only half of it was ready. Not nearly hot enough to cook the thick roll of pork. It did do a bit of the skin crisping before the oven came to the rescue. A bunch of wine while we waited the extra hour for it to cook.

Forgot the anti-chafing cream. That extra, last, glass of wine, probably didn’t help. Neither did the, failed, rescue attempt of the storm trapped bird in the midnight hours.

Puddles after the rain. Sock dye. Black nails. Heart rate marginally elevated. 12km easy fun alongside the estuary with the rising sun

Discussing composition, tone and the use of technology to untangle the frustration when a painting isn’t working. Art teacher looking for inspiration and assistance for his art class heading into a new semester.

Spectacular sunrise. Skirting the magical forest at Bibby’s Hoek. Tearing down sharp descents, powering up the steep inclines. Or at least until my legs faded. Body bounced into jelly.

‘Blue House’, an acrylic and marker pen illustration on paper of one of the houses in old town Hoi-An, Vietnam. The blue startling amongst the yellow which dominates the town.

Rain. Diabetic sensitive bobotie from Coreta’s kitchen. Three Graces, oozing grape berries. Prince squirming himself into the contours of the sofa.

‘Monochromatic’ exhibition at the old jail complex gallery. A couple of amazing works amongst the conservative. My painting ‘Boudoir Study 2’, fabulously positioned.

Porchetta

Like many traditional Italian foods, porchetta is prepared differently from region to region but is generally defined as a dish of boneless roast pork stuffed with filling and then rolled and roasted, usually over wood. In the town of Ariccia in the Lazio region of Italy, porchetta restaurants abound, leading to a close association with the dish, though variations of it are made across the country.

Add, a twist with the melting pork belly and blue cheese combination invented by Iain Graham of Urban Caprice to go with Mumm champagne.

Pork Belly and Pork Loin

• 1 piece pork belly with skin, about 10-by-20 inches

• boneless pork loin

Pork Roast

• 1 Tbsp kosher salt, plus more

• 1 tsp freshly ground black pepper, plus more

• Pesto

• 12 smashed garlic cloves

• 12 fresh sage leaves

• Herbs (recipe below)

• Blue cheese

| Preparation – Pork Belly and Loin |

With the pork belly skin-side down, score meat in a cross-hatch pattern. Turn pork belly over, and using a sharp knife, score skin deep in a cross-hatch pattern. Turn, skin-side down, and set aside.

Place the pork loin skin-side down. On the tapered side of the loin, make a cut about 1-inch deep and then cut straight across to butterfly, continuing to make 1-inch cuts until the loin folds open like a book. Set aside.

| Preparation – Pork Roast | Season skin side of prepared pork belly with salt. Turn belly skin-side down and place flat on a cutting board with the short end facing you. Season with pepper and more salt.

Spread half of the pesto over the belly, leaving a 1-inch border around the sides.

Lay butterflied pork loin in the center of the pork belly and spread remaining pesto over loin. Arrange garlic and sage on top of loin. Season with salt and pepper.

To roll the roast, begin at the end of the pork loin where you finished the initial cut, slowly rolling and packing ingredients in tightly. When finished rolling the roast, use butcher’s twine to tie roast at 1-inch increments so it will cook evenly. Set roast on a platter and refrigerate overnight.

| To Cook | Remove roast from refrigerator 2 hours before cooking.

To estimate the cooking time, measure the roast through its thickest part, and cook for 1minute per millimeter. Hence if it’s 90mm thick, cook for 90 minutes.

An indirect fire (two equal piles of coal on either side of the charcoal grate, with a drip pan in the middle to catch the rendering fat), topped with a couple of pieces of hard wood.

Place roast on the grill, turning every 10 minutes until the skin is browned and crisp.

Reduce the temperature (325ºF) by closing the vents halfway and leave until the loin reaches 140 degrees. (1½ to 2½ hours)

Remove and allow to rest for 20 minutes before serving.

Just before serving, top with a sliver of blue cheese and a tiny button of redcurrant jelly.


Herbs

• 2 Tbsp roughly chopped fresh thyme leaves

• 1 Tbsp roughly chopped fresh rosemary leaves

• ½ cup roughly chopped fresh parsley

• 3 tsp roughly chopped fennel fronds

Diary of an Adventure

Harbour Town Adventures

Johannes’, a painting in my ‘Humanising the Homeless’ series, has been recognized by the London International Creative Competition, in the professional painting category.

This is the 7th year that my work has won an award in the professional painting category at the LICC.

The LICC is a juried competition with well over 1500 entries from 65 countries focused on innovative artwork. Submissions are juried by a board of international luminaries of the visual arts.

The portrait is defined by his red hat ,with an underpainting of French yellow. A mix of Quinacridone Rose and Raw Sienna balance the yellow tones of the red hat.

Fabulous cycle through the Homtini Pass to start the day. Legs suffering on the climbs. It was beautiful though the indigenous Forest, with the gradient steep enough to have me gasping, but allowing my imagination to be transported on the mist that settled in the valleys. Frantically grasping at the Seattle cappuccino at the end of the ride!

Easter. Braai on a perfect day. The half a hot cross bun delightful, especially with a glass of Rupert and Rothschild classic.

‘Sleeve’ 21cmx29cm, Acrylic on 300g paper. Tattoo art in Vietnam was everywhere, and where we stayed in Saigon we were surrounded by tattoo parlours.

Much of the work is inspired by Japanese tattoo art, however, I was drawn to the colour and vibrancy of these tattoos as they passed us while we sat having a beer.

The red and yellow, national flag dominating the small painting.

‘Saigon Park’ 21cmx29cm, Acrylic on 300g paper. Le Van Tam Park, District 7, Saigon. An oasis of calm in the city.

Diary of an Adventure

Harbour Town Adventures

Finished the portrait of the woman from Hanoi in Vietnam. National Woman’s day. Their beauty adding to the romance of the prettiest street in the city, shaded by the ancient dracontomelum trees of Phan Dinh Phung Street. The balance between my unpolished Impressionistic Smearing and the delicate features of the woman, a tad muddled.

The studio hosted a stop for 120 people participating in the ‘The Amazing Word Journey’, an evening during the Knysna Literary Festival. Apartment transformed into a kitchen and food preparation area to serve the three course meal, in batches of 40 people.

Sam Cowan the speaker about her book, ‘Whisky to Water’, against a backdrop of my paintings on ‘Overcoming Adversity’, which included a couple of paintings from my private collection that have never been displayed.

I didn’t do a good job of explaining the paintings and with minimal time, interrupted by serving, eating and cleaning up between courses (all done by an efficient catering team from White Washed).

No difficulty in finding puddles to stomp through on my run after the rain. Gloves keeping my hands warm in the cooler weather. Did manage to break my glasses which is a bother.

Diary of an Adventure

Harbour Town Adventures

Butterflies. Sweat. A bit of blood. Howling wind. Dust. Homtini Pass. Four hours. The longest ride in many years. Breakfast at the Garden Route Trail Park halfway through the ride ensured that my blood sugars didn’t go crazy.

Homtini (The name is apparently of Khoi origin and means either “mountain honey” or “difficult passage”), is one of the more beautiful of the passes in the string of passes between Knysna and George. Covering 5km, it winds down 45 corners and curves through the thick indigenous forest.

‘Pincushion Macro’ Small acrylic on canvas paintings I have been trying to get done for ages, based on the photo’s Kirsten took of pincushion protea on the table at River Deck after our walk on the wild side. Do wonder how they would work at 2mx2m!

Vietnamese dinner with the last of the recipes for the book on Diabetic Sensitive Vietnamese food. Ga Rang Gung (Ginger Chicken) and a fish option, served with the classic Vietnamese salad and dipping sauce. A starter of the pork and prawn rolls, with a couple using salmon rather than pork. Good Hope Pinot Noir (Stellenbosch) and Chardonnay (2014) from Newton Johnson (Hemel and Aarde), and Stoney Brook (Franschhoek), with a 2013 Radfordale (Paardeberg) all worked well with the subtle flavours of the Vietnamese dishes.

The ‘Wall Easel’ hanging system installed in the studio. Flexible for the various canvas sizes I have used over the years, it can also be used as a painting easel for the 2m canvas I have waiting.

A great feature in the Kalahari Review of a collection of my small paintings.

https://www.facebook.com/KalahariReview/posts/1510364305707383

Diary of an Adventure

Harbour Town Adventures

With the alterations to the studio out of the way, and the new track lights not available for another week, the hanging system for the paintings still needs to be sorted.

A trial, ‘Wall Easel’, aesthetically pleasing and practical. Both for wind and for adjustments to take paintings that need to dry. This while maintaining the clear simplicity of the new space. The trestle table top planned for the studio a tad frustrating.

Sunrise Phantom cycle. So pretty riding down a ribbon of light. Sunlight playing in the dust.

Test Kitchen. Vietnamese fried wantons from Hoi An, and fried spring rolls from Saigon on the menu for Wayne to sample. Wet, or dry? Cook immediately, Or they stick turning into stodgy balls of mush.

The fried oil thing, horrible to work with. The air-fryer didn’t give the greatest results.

Tomato, pineapple and onion sauce not necessarily the best as a diabetic sensitive meal. When they work. Scrumptious. Champagne a definite.

‘Sleeping Rough’, an acrylic and marker pen illustration of boys outside the station in Knysna. I managed to do the underpainting for the portrait of the women in Hanoi.

‘Catfish and Mandala’ (Andrew Pham). A poignant, crafted book that brings our experiences of Vietnam into shimmering reality. The chapter headings are particularly fascinating, the Hyphenation in Pham’s journey. A depth of story in themselves.

http://phangvictor.blogspot.com/2009/11/catfish-and-mandala-analysis.html

Diary of an Adventure

Harbour Town Adventures

‘Pushing the Oars’

Oil on canvas 120cmx40cm

Water. Hills shrouded in cloud and welcome rain falling. Heart stopping phone call about water cascading out of the apartment. An open tap on the patio following a day of of water outages due to pipe burst in Town.

Not the best news after earlier finding a leak in the painting storage area. Fortunately wine boxes the only casualty. Especially with the delivery of a few large canvases on the floor and not in the storage racks.

‘Pushing the oars’. Sampans on the busy waters of the Mekong Delta, searching for the slowest part of the river flow. The brown waters not what I wanted to dominate the painting, and while acknowledging the strength of the women who ply the eight foot oars of the boats, it was the delicate butterflies of the Delta the feeling I wanted.

Sweet potato gratin, with ribs on the Weber and a zucchini and pesto salad (Taste magazine), with a touch of Pinot on a beautiful evening.

Beach. Prince the reluctant follower, skirting the scary waves, before deciding that his mobs-kennel was the safest place. Progress of sorts.

Cast off Terry’s arm and she is starting to try out her new wing. Still going around in circles a bit as it’s a tad weak after the six weeks in plaster. The ‘transact’ a reminder not to do too much.

Very special to have Lesa and Alan visiting for a few days.

Diary of an Adventure

Harbour Town Adventures

SOLD

‘Flower Sellers’

Acrylic on canvas 150cmx70cm

King Arthur’s carousel horse from Disney. Music box playing in the early hours. Wind stirred memories.

‘Pushing the oars’, a dance of purple. Sampan boat rowers. Mekong Delta, Vietnam. The initial scratching on the canvas conveying so much that the subsequent painting only seems to detract.

A bowl of ripe tomatoes, ideal for the feta and tomato tart in the Taste magazine. The philo-pastry base not an option, or the flour that the recipe called for. Fortunately, aubergine an alternative, with a cream-cheese and cremefraiche filling.

Wines from the J9 collection, Newton Johnson, Walker Bay Pinot Noir and Radfordale ‘Frankenstein’, 2013, with the crispy Weber grilled duck.

A tad clumsy. Cold fingers. Headache. Slurred speech. Been awhile since my blood sugars have stayed this low.

Riding on the Jeep track above Simola, that heart-stopping moment when passing what could be elephant dung. Sweat stained glasses and a bit of imagination. Dislodged earth from the embankment.

My painting schedule thrown out of kilter to make space for the Garden Routes summer brilliance. Cascade of red. Yellow hibiscus on the patio. Purple agapanthus at Steenbok, and delicate red flame lilies, with their ‘tongues of fire’. Watsonia in dazzling shades of pink on the drive through to Nature’s Valley.

AUBERGINE QUICHE

1 hour 15 mins

TOTAL TIME

1 hour 15 mins

An Aubergine Quiche with roasted cherry tomatoes, and feta cheese.

Recipe type: Dinner or Lunch

Cuisine: Vegetarian

Serves: serves 4

INGREDIENTS

• 1 large aubergine, sliced into 1 cm slices.

• 150g halved cherry or baby plum tomatoes

• 300g feta cheese crumbled into little chunks

• 150g cream cheese

• 60 ml cremefraiche

• A good grating of parmesan

• 5 free range eggs

• Generous drizzling of olive oil

• salt and black pepper, garlic salt

• basil or parsley leaves for garnish

INSTRUCTIONS

1. Preheat the oven to 180

2. Line a quiche or lasagne dish with foil and brush with a little olive oil.

3. Lay the sliced aubergines on the oiled foil, and brush with more oil and seasoning , making sure they get a good coating on both sides.

4. Put in the oven and after 20 mins or so, add the tomatoes, which should also be oiled and seasoned.

5. To make the quiche mixture, in a large bowl, beat the cream cheese and cremefraiche together, whisk in the eggs one by one and add seasoning and a good grating of parmesan.

6. Whisk together to make a smooth creamy custard and lastly crumble in the feta cheese,

7. After another 20 minutes when the vegetables are softened and browning around the edges, remove from the oven.

8. Make sure the aubergines are covering the bottom to form a vegetable base.

9. Pour the cheesy quiche mixture over the vegetables, allowing some bits of veg to poke through.

10. Sprinkle over the fresh herbs and cook in the oven

Diary of an Adventure

Harbour Town Adventures

Cold fingers, despite higher than usual blood sugars after a Christmas lunch of pâté de compagne and Il de Pain bread, with trifle as a dessert.

Black, mud-stained feet from playing with Prince at low tide. The noise of the waves still too much for him.

Vietnamese flavours for the Christmas Eve dinner. Fresh spring rolls with pork and prawns. Duck breast with Asian salad. Fish simmered in ginger and caramel sauce. My spring rolls, defined as ‘clumsy’. The wooded Chardonnay the best wine for the various flavours in the Vietnamese food. Minimizing the sugar used in the caramel sauce did mean that there was none of the ‘stickiness’ that we had in the meal inHanoi, but it didn’t kick my sugar levels out of kilter either. Another three weeks before Terry’s cast comes off!

The end of a quiet day, with the street outside the studio busy with holiday traffic and the alcohol fueled chatter of people walking home. Oodles of pink flesh on display after a perfect, sun filled day.

‘Crumpled’, my portrait of a 92 year old women in Hoi An, Vietnam. The simplicity I was striving for being lost in the contours and crumpledness of her face. The complexity of the years driving the painting? Raw Sienna, permanent magenta, Ultramarine blue and Naples Yellow with Alizarin crimson the key colours. I did include touches of Cerulean and Cobalt blue.

Became part of the ‘mechanical’ mountain bike family, managing to trash the crank assembly on the way up Phantom Pass. Did find another reason to be ‘flat-pedal’ cyclist, in that wearing trail shoes you can jog with your bicycle. However, I was glad it wasn’t too far before Coreta rescued me.

Diary of an Adventure

Harbour Town Adventures

Boating Pond

It isn’t the cleverest idea to burn ones fingers, and an even worse idea if you are a finger painter! Testing the edges of my limited ability in the kitchen, with Terry still out of action for another month with her broken wrist.

Fortunately, it’s only a couple on my right hand, which are more of a nuisance on the bicycle than in the studio. The singed fingers a result of not realizing how hot a pot from the oven stays after you have finished using it.

Ginger, garlic, chili (It needs a special warning about the lingering effects on your hands that burns your eyes after you have removed the pips) red onion, cabbage, tomatoes, lettuce, carrots, fish-oil, salt, pepper, sugar for the ‘banana flower’ salad, pork stuffed calamari and galangal carmalised fish. Sugar and flower free sponge cake and creme anglaise for the trifle.

Testing Vietnamese recipes, using local ingredients that are diabetic sensitive, for the recipe book we are planning. The influence of Vietnam, with a hint of Christmas!

Managed the chopping stuff without blood. My leg, however, a bit worse off from coming into contact with the painting racks and my arm from playing with wild-child. Somehow, managed to get blood and paint spread all over the place.

On the easel I have an old women from Hoi An in Vietnam. A very traditional looking women that is challenging as I strive for simplicity. Her weather beaten skin, full of harsh reality, however it’s the twinkle in her eyes that remain the essence of the painting.

Spectacular morning light shining on the waters of the estuary. Gazillion reflections from the visiting yachts as we headed out up Phantom as the sun was waking up.

Messing About with Paint

Review of what to pack for painting Travel

In the five weeks, I painted 20 pictures on canvas, linen and paper.

Of the limited pallet of 11 colours (Ultramarine blue, Burnt Umber, Cadmium Red, Cadmium yellow light, Titanium White, Alizarin Crimson, Cadmium yellow deep, Cobalt Blue, Naples Yellow, Phtalo Blue Green and Cerulean Blue) I hardly used the Cadmium red and I would leave the Burnt Umber out next time.

I found the dark mixture of Burnt Umber and Ultramarine blue disappointing. I did need the additional tube of white paint that I didn’t take along, and both the Cadmium yellow deep and Naples yellow ran short as I did not anticipate the huge amount of yellow colour everywhere in Vietnam.

Phtalo Blue Green, Alizarin Crimson and Naples Yellow made a wonderful rich grey color that contrasted fabulously with the Cadmium Yellow.